a collection of works (in progress)!

Wednesday, February 11, 2009

The Evidence Left in my Tires

Before
water begins to build up
in our joints and it
becomes harder to move from place
to place:

ruminating is what we are doing
here is what we are doing.

You bring me a charm
that is also gold and black, and I find a moth
sogging in my soup.

Replacing mine,
this one has
come from somewhere else.
         here I want to ask but
you are across the table-
cloth sipping and 
wouldn't have noticed.

These are all remnants.

Like the way it comforts me to
know I am animal and not
a feeling I remember
feeling differently like
sandbox rocks
that sat in my little brother's
pockets.

You've burrowed a hole into the base of my
belly like a gyre widening, the
widening gyre?
Where there used to be an experience,

permenance and impermenance,
why it is, that we never recover.

Wednesday, February 4, 2009

They Said They Would Put Them in Years Ago

The problem with
speaking: as if anything could
be said differently.

A mouth without teeth,
eyelids not for blinking,
the feeling of being.

She became
a woman from the waist down.

Reception is key.
To be
like the bug specks on
her bedroom ceiling
that would exist
even after the floorboards were
replaced,
rotted through due to
a lack of

piping—
What of the french drains?

Oh and that
raccoon skittering at
the window one night from
the wrong side,

and all of
them sleeping.

Content; repeating it
signifies her desperate
need for
validation she was sure

that this time, they would furnish.

The Books You Read as a Child

Maggie
is a word that tastes
like peanuts:
a most memorable quote.

This is the setup-
please suddenly remember
that everything has a beginning
that you will not remember.
This is as similar to
her face—
which was wrongly led
by a nose and
not a chin—
as to understanding the
skimming of rocks.

Because my father didn’t take me fishing,
there are rules we won’t be following:

1. Endings are not ever
as important
as one would wish
(which would be
nearly inconsequential).

2.Trust your instincts.

Check, Check

Clues
not on paper are

not
on paper we exist
as outlines/splinters; un-whispered

Crude and tender and
there are too many scarves in our apartment
etcetera,
the cacti are dying—
such are the causes of Ex,

which had been
a mistake
in the making all along.

Who
buys new pots anyway?
Like q-tips,
and scribbles me
onto the list.

Tuesday, December 23, 2008

Yuyin: The remnants of a sound that stay in the ears of the hearer

I visit the place where my father grew up.
A tall, beige building,
ornate with red
and yellow tiles. A mosaic
of time passing from
another world I am
an intruder, usurping memories;
rapscallioning.

This is the closest
we will ever come to an embrace
I think, pressing my
forehead
to the passenger side window
(which is) sweating with cold.

My brother is balding
and I am embarrassed to
see him:
this is also a testament.
He is here out of habit; I am grasping for one.

I live on the other side of this Peninsula
but the space the separates my Brooklyn from
this Brooklyn
is thick and rippling,
like churning through an ocean
of uninterrupted butter.
It takes years for me to get here and
next time I will row faster,
I think of saying.

There is a Ginkgo tree leaning
into us
from behind the glass.

She is heavy with leaves like
canary
wings fluttering.

I cannot help but wish for larger hands
so that I might wrap them around her slender
trunk and shake them free.

I am too familiar with
the stench of

fruit, chalky pink, seeds like wrinkled
plums that rest between the
gravel and sidewalk.

Everything her turns yellow first.

Tuesday, November 25, 2008

Act III, COMPLETE DARKNESS. Naked.

You say
We are communicating through unrelated
acts of insecurity

I say
Kiss me, I am beautiful.

You say
I am a mountain goat in the poolhouse, bucking

I say
I am one thousand wild horses.

You say
Artichoke flowers, a book of thorns incapsulated

I say
listening, always.

You say
I appreciate you

I say
but what does that mean?

You say
until the tide comes in
and turtles freckle the shore like dark, glass plates

I say
you say nothing.

and you say nothing

1. MAHJ: To be beautiful after having a disease.

We are touching through plasma
like those
new un-poppable bubbles
gooey magenta spheres
as with chewing gum
that sticks to your fingers

Becoming closer poses the question:
What you are seeing: Feathers

all over the floor due to
cheap pillows
desperately,

I
Collect lovers like seashells
isn’t that what beaches are for?
Then mortar and pestalling
to create something evenly ground
It is always “that time”
but I am still keeping the cat

and in the end I will say one sentence
and it will be not the right one
because that is much more accurate